Pearl Jam - No Code

In the fall of 1996, I moved to the motor city and began my Freshman year of college.  Pearl Jam's fourth studio album No Code had just come out and a girl I was hooking up with at the time surprised me with a copy of the CD.   She knew I was a fan of PJ and also knew that I didn't have a vehicle on campus and this little token of friendship has gone without thanks for nearly 20 years.   Pauline, if you're reading this somewhere. Thank you.

CD, Vinyl and Cassette...

Pearl Jam's - NO CODE - is hands down my favorite album by the band.  Note, I don't think it's their best album...  I believe that Vs. and Yield are better studio efforts.  I just happen to favor this record because it's an album that I dismissed immediately and then hit me like a ton of bricks as I aged into my later 20's.   

As I look back and listen to this album in my later 30's...  I'm amazed that my perception of the album has shifted again.   I vividly recall how I felt about the album at age 18.  The band had gone from being one of the largest bands in the world, to being a band that was on the brink of splitting up at any given moment.

Catching Pearl Jam live has always been a difficult thing to do, due largely in part to their stardom and their fight with Ticket Master.   Pearl Jam played Toledo, Ohio in 1996 - roughly 40 minutes south of Detroit Mercy and it was impossible to get tickets.  A college friend by the name of Joe Yamin was a Ten Fan Club member and I recall running into him the day after the show and he was a total glow.   I would see Pearl Jam in Dallas, Texas in the Summer of 1998 (Given to Fly Tour) with some life long friends...  but I've never been able to let go of the fact that I did not get to see them in support of No Code...

I had to settle on pouring over the strangeness that is the artwork of No Code.   The packaging of the album is freakishly elaborate for a CD.   Which is a lot to say, given that Pearl Jam had released Vitalogy a few years before and that had to have given Epic Records a fucking heart attack when assembling the packaging for that album.  

The artwork is composed of 156 Polaroids that were taken by Eddie Vedder.  He reportedly found a forensic Polaroid camera with a macro lens.  Any photo taken further away than four feet was out of focus.  "A bowl of soup became art. Bird Shit on a blue car looked like the cosmos."  - Eddie Vedder.

When you stand back and look at the artwork you can make out a "No Code" triangle, which is a medical term that means "Do Not resuscitate".

"I thought that was symbolic of where we were with the group: If we're dying, let us die. Don't try to save us. We don't want to live as vegetables." - Eddie Vedder.

The weirdness didn't stop there...  the album contained a set of "polaroids" inside.  9 photos which contained lyrics to some of the songs on the album.   There are 4 sets of polaroids which are known as "C, O, D, E".   There is no way to tell which one you're getting from outside the album so collecting all four is a pain in the ass.  Again - "no code".

Over the years, I've picked up this album on various formats.  I have it on Vinyl, Cassette and CD...  I just recently learned that a version of it is on Sony Mini-CD.  That's the only known format that I don't currently own it in... but I would pick it up in a heart beat if I ran across a copy of it tho'.  

It's hard to really pick out favorite tracks on an album I love unconditionally....  This is clearly in my all time top 5 albums, so I'm going to share some insights on every track of the album.

Pearl Jam – Sometimes - The opening track to No Code...  it sorta sets the tone for the record.  Brendan O' Brian does a number of interesting things with introducing the sound of rolling thunder and roars in the middle.   Pearl Jam's sound has changed a lot over the years and that largely has to do with the revolving drummer situation...  you can also say the same for Pearl Jam albums where Eddie opens up.  This song and album is incredibly introspective. 

My small self... like a book amongst the many on a shelf
Sometimes i know, sometimes i rise
Sometimes i fall, sometimes i don't
Sometimes i cringe, sometimes i live
Sometimes i walk, sometimes i kneel
Sometimes i speak of nothing at all
Sometimes i reach to myself, dear god

Pearl Jam – Hail, Hail - is the second track of the album.  I vividly remember them playing this on Letterman when the album dropped.  It's one of my favorite songs regarding the hardships of love.  It also has a lyric that means a lot to me.  I believe that it speaks a lot to what I want in a woman.

I sometimes realize i could only be as good as you'll let me
Are you woman enough to be my man?
Bandaged hand in hand

Pearl Jam – Who You Are - this is one of the most interesting songs on No Code...  I'm hesitant to post any lyrics on this track.  I think that every listener can interpret whom they are when listening to this song.

Stop light plays its part so I would say you've got a part.In

Pearl Jam – In My Tree - one of my favorite tracks on the album, due largely in part to Jack Iron's distinctive drumming.  My favorite lyric: 

I'm so high I hold just one breath deep within my chest just like innocence.

Pearl Jam – Smile - I always think of my friends Jaime and Jessie when I hear this song.  This was (and may still be) their "couple" song.  It's also the only Pearl Jam song I have ever sang in karaoke...  my favorite lyric:  Three crooked hearts. Swirls all around, yeah 

Pearl Jam – Off He Goes - hands down my favorite track on the album.  It clearly speaks to the inner dynamics of the band... it's very much Eddie speaking about Eddie.  There's a lyric at the end of the song that has always spoken to me.  This largely has a lot to do with me hating to say goodbye.  

Until a quarter to ten. I saw the strain creep in.
He seems distracted and I know just what is going to happen next.
Before his first step he is off again.

Pearl Jam – Habit - I find myself wanting to skip this song more often than sitting through it.
Speaking as a child of the 90's...

Pearl Jam – Red Mosquito - I may be in the minority, but I fucking love this song.  It's heavily influenced by Neil Young... but the Mike's guitar work is fucking incendiary.  I'm not entirely sure what the song is about.  A red mosquito I think.  The purpose of this track again is to hear McCready wail on that fucking axe. 

Watched from the window with a red mosquito.
I was not allowed to leave the room.
I saw the sun go down and now it's coming up.
Somewhere in the time between I was bitten.
Must have been the devil.
He was just paying me a little visit.
Reminding me of his presence.
Letting me know he's a-waiting. Ohh...

Pearl Jam – Lukin - sonically, one would quickly say that this is Habbit's kissing cousin.  Lyrically, I think its one of the most interesting ones on the record though.  The song is about visiting Matt Lukin's (Melvins) house and finding sanctuary in his kitchen.  At the time Eddie Vedder had a problem with a stalker... and he reportedly was getting tired of hearing that pearl jam penned very long songs.   

I found the key but I return to find an open door.
Some fucking freak who claims I fathered, by rape, her own son.
I find my wife, I call the cops, this days work's never done.
The last I heard that freak was purchasing a fucking gun.

Pearl Jam – Present Tense - the Keystone song on No Code.  I vividly recall laying awake one night listening to this song and completely changing my mind on the album.   

Have you ideas on how this life ends?
Checked your hands and studied the lines.
Have you the belief that the road ahead ascends off into the light?
Seems that needlessly it's getting harder to find an approach and a way to live.
Are we getting something out of this all encompassing trip.

Pearl Jam – Mankind - I have always loved this song and this is not an opinion that is shared with by most of my friends.  I vividly recall talking about songs we wanted to hear live in 98 with Jaime.   State of Love and Trust was atop my list as was Mankind.   I nearly shit myself when they played it.   I'm pretty sure everyone else in attendance, wished that another track made the set list.  Fuck all the haters.

I'll be playing with my magazine, using up my Listerine, like Ovaltine.
And you'll be dipping in your battleship, for the latest tip, for the latest dream.

Pearl Jam – I'm Open - a poetic endeavor at the end of No Code.  My favorite moment can be captured in this lyric.

When he was six he believed that the moon overhead followed him, by nine he had deciphered the illusion trading magic for fact.
No tradebacks.
So this is what it's like to be an adult.

Pearl Jam – Around The Bend - the last track off No Code...  like the first track on the album, it's incredibly tender to listen to.   In many ways it reminds me of a song that Elvis could cover.

You're an angel when you sleep.
How I want your soul to keep on, and on, around the bend.

Artists: Pearl Jam
Album: No Code
Producer: Brendan O'Brien
Label: Epic
Recorded: Chicago Recording Company, Kingsway Studio, Studio Litho


10 Tracks - Spanning the career of Pearl Jam

In observance of PJ’s 10th studio album, I’ve put together quick playlist of favorite tracks from each of their respective albums….

1.) Sometimes - NO CODE:  I’ll never forget the first time I heard this album…  I was a freshmen in college and my g/f at the time stopped by a local record store while I was in class and picked this up for me as a little gift.  When I think of all the Side 1 / Track 1’s that Pearl Jam has put out - this one sorta sticks out like a sore thumb.  There’s a lot going on “sonically” in the track, but it really sets the tone correctly for the adventure that is No Code.

2.) Grievance - BINAURAL: I don’t know why, but I’ve always felt a connection between the tracks : Corduroy / Grievance / Green Disease - one may lazily say they sound similar but I can’t shake the feeling that there may be something more there…   I’m undoubtedly wrong about this observation tho’.

3.) Unthought Known - BACKSPACER:  If I were ever given an opportunity to work with PJ in a studio or possibly be allowed to remix a track - it would be Unthought Known.  There are parts in this song that swell and crash but not at appropriate maximums.  I find it hard to not think about the song - Marker in the Sand - when I hear this song and vice versa…  I think this is the high water mark of Backspacer.

4.) Leash - Vs.:  If you asked any of my friends what song off of VS I would most likely select for sampling - they would all tell you - W.M.A. -  this track however captures the sound of Vs. better than W.M.A. tho’…

5.) Immortality - VITALOGY: This song instantly transports me to the Summer of 1996… I spent a few months living in Chicago and this was one of the few albums I had on me during that residency.  I would listen to this song over and over - because it seem to fill the room nicely though some shitty CD player my uncle had at his apartment.  The afternoon daylight and shadows in the room seem to fit that time and space in my life perfectly.  There’s a live version where the lyrics are completely different and I love that version… if you happen to read this and know what I’m talking about - let me know!

6.) Green Disease - RIOT ACT:  I selected this track because there’s parts that remind me of the Clash.  

7.) Marker in the Sand - PEARL JAM: This may be my favorite PJ course in their entire catalogue.

8.) Faithful - YIELD: I can’t believe how much YIELD has grown on me over the years…  Low Light was a close second.

9.) Pendulum - LIGHTNING BOLT: This is hands down my favorite track on LB. I learned today that it’s an outtake from Backspacer…  go figure.

10.) Black - TEN: … 

Source: http://open.spotify.com/user/september29th/playlist/5a9uemJMAX8zlZzrbyP5ep

Lightning Bolt

Pearl Jam released their 10th studio effort on the 15th of October and after spinning it a number of times - i’m ready to quickly weigh in with my first impressions.

All in all… Lightning Bolt is an enjoyable listen but it feels like a step back from Backspacer.  There are a number of tracks that I think will really transcend well to a live setting - but the recording itself is to manicured for my liking.

The band reportedly took a few years and 2 sessions to work on this record… yet we have another studio effort where it doesn’t capture the sound/energy/space of what PJ sounds live.

One of the bright spots on the new record is Jeff’s work on bass.  There are a number of songs where you can really tell that he was in the studio - getting into his fucking grove.

One strange observation… the song - My Fathers Son - sounds dangerously similar (in signature) to a Soundgarden song called - Dusty.   

Anyhoo - if you’re a PJ fan - you’ve purchased the album.  I’m a little surprised by how hard they’re pressing on the web with the new record.  I’m also not quite sure why they took the Vector Art Direction either… but I can’t really think of a Pearl Jam album sleeve that I really love.

Overrated, Underrated, or Properly Rated: Pearl Jam

veddie

Steve Hyden - wrote up a great little piece on Pearl Jam albums, where he’s retroactively rated albums as : Overrated, Underrated or Properly Rated.

I completely agree with his take on Lighting Bolt… it’s an album that really only matters to people who like Pearl Jam.  I’m going to give it another spin this morning…  before penning a review later today.

Mind Your Manners

When I heard that Pearl Jam announced a new album (Lightning Bolt) and single (Mind Your Manners) after lunch today…   I cringed a little, reached for some headphones and gave the track a listen.

Much to my surprise the song reminded me of: Comatose/Brain of J. (Yield is really growing on me as the years pass along)/Spin the Black Circle….

I don’t feel comfortable saying that I really like the track….  It weighs in at 2 minutes and 40 seconds.  The song benefits from Brendan’s production work…   I don’t really understand the extended break between now and the release of the album tho’.

I also don’t quite get all the vector art.  Then again, I’ve never really understood a number of their other creative art directions.

Anyhoo, give it a spin if you’re feeling nostalgic. 

PJ20

Early this morning, I penned a quick review of the PJ20 Documentary and sent it off to a few friends I thought would be interested in catching it when it airs on PBS Oct. 21st

……………….

A big part of me wishes that I penned this review after I got out of the theater last night…  I’m running on something like 4 hours of sleep, so my thoughts on this write up are going to be incoherent and a bit incomplete.

PJ20 can be split up into two parts

The Good :  Pearl Jam couldn’t pick a person better than Cameron Crowe at the editing table for both the film and the musical narrative…   Like Scorsese with both Dylan (No Direction Home) and the Stones (Shine a Light)  -  Cameron has been intimately involved with both the music and artist(s) off camera for the past 25 years.  If you’re familiar with the Who’s rockumentary THE KIDS ARE ALRIGHT - you’ll sorta get an idea of what the picture is going to be like.

The documentary firmly roots itself by starting with the rise and fall of Mother Love Bone (Andy Wood) at the beginning of the picture…  and while this story is pretty well documented already, there are some incredibly tender moments shared by both Jeff Ament and Chris Cornell about his untimely passing.   The documentary then spends the next 50 minutes or so cutting together some of the most amazing unseen footage of the band in its infancy.   It’s weird how well the band has documented their existence in both visual and audio mediums…  Cameron had his work cut out for him when he had to sift through the 30,000 hours of footage to produce the 110 minutes we saw last night.  If you’re of the opinion that the band’s finest moments were between the albums TEN and VS - I think its safe to say that the picture is front loaded enough for it to be worthy of a viewing.

*spoiler* of sorts here…  the documentary talks a little bit about the “rivalry” of Nirvana and PJ, mainly the jabbing of Cobain to Vedder.  One thing that gets featured is the legendary backstage waltz of Vedder and Cobain at the 92 VMA’s.

The sound mix was also amazing…  Henry and I sat in the far back/right part of the theater and I found parts of the film so engrossing that I forgot I wasn’t at an actual live performance.   Henry commented to me that he was actually moved to tears when they showcased a live performance of “Betterman” where the audience completely sings the introduction of the song before reaching the bridge.

The Bad :  The documentary rarely put the members of the band under any critical lens…  by that I mean - you see the band struggle with stardom but it doesn’t exam in depth the internal struggle within the band during the Vitalogy/No Code era of the band.  The documentary firmly showcases how the band became the largest and most recognizable band on earth for a brief period of time…  While the band has repeatedly talked about how they never wanted to be thrust into the spotlight - both Stone and Jeff are on record wanting to be in a band that got signed, that would perform on big stages and would be in many ways like the 70’s rock bands they admired.

I once read that whats intrinsically wrong with pearl jam is that they’re a band with a Fugazi heart (who get mentioned and showcased in the documentary) but are in a Aerosmith body.

I think there’s some resentment with Stone to Vedder that at their creative peak - the band took a direction where they purposely alienated themselves from each other (which sorta gets mentioned when they talk about Vedder driving to gigs in a van, while the band flew) and how the music in many ways began to challenge its listeners.

This is where I think the documentary goes a little flat for me.   I think the most interesting part of the PJ story (within the band/the music/the public activism) resides in the recording of Vitalogy, and No Code.   Even the artwork was insane.  No musical artist had approached their major label and said - lets develop a CD sleeve that resembles 20th century medical book.  Only to follow that up by NO CODE - where they asked the label to release 9 different cassette covers for a dying medium -  the CD version (purposely) had 9 of 13 Polaroids which contained lyrics to the track listing…   To truly complete the artwork you would have to get the four printings of the album C, O, D and E - there was no way however to distinguish them from the cover of the album because there was “no code”.  I honestly don’t know how someone from SONY/Epic wasn’t interviewed regarding the concessions they made to produce this shit.

Then there’s the “drummer” thing.  This actually gets addressed very briefly in the documentary, but not in the detail I think it truly deserves.

Present Tense;  We see the members of pearl jam - very apart from one another when they’re not touring.   Stone keeps nothing “pearl jam” within his home…   Jeff lives on some remote location in Montana.   Eddie, conducts his interview in some contrived location where he’s around some half painted portraits, a ukelele in hand and he has a fireman pole of sorts in his home.  Mike, sorta touches on his drug abuse - but it’s was not examined in depth.  He’s sorta just happy to be along on the ride I guess….

The documentary will air on October 21st on PBS.  It will also be released on DVD/Blueray with a crazy 3 disc version I’m tempted to purchase if I have some assurance that the documentary goes further in depth.

- rollie -